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Bad dancers/beginners dance only knee high.

Average dancers dance up to hip high.

Decent dancers can dance navel high.

Good dancers dance chest high.

Great dancers can dance neck high.

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The first song came to an end. She was still here,  without any signal of breaking away. So we remained embraced, standing in the floor, breathing… Dancers were chatting nearby, some inches away. The noise sounded yet so far away.

We were in another zone, whichever space in the floor that we occupied at that moment.

The second song started. I forgot how to lead. I didn’t even want to move. I felt her nose, her eyelids, the contour of her face, the proximity of her lips, the moist warmth of her breathes…

The music stopped, again.  Our bodies were still glued together. I relaxed and readjusted my right arm, she her left. We let some air in between our chests. The cool air contrasted the warmth of the bodies, made me feel that her body was burning. Like magnets, we closed our embrace. The next song began.

Somehow (the instinct of a dj?), I realized that this was the last song. A twitch of sadness grew from nowhere, as if someone whom I have known for very very long were leaving, a part of my heart was leaving too. The feeling of void.  I had tried very hard to hold back, but something was coming down on my cheek. I couldn’t tell if it was bead of sweat…And I had never met her before… until 15 minutes ago.

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don’t just listen. Sing along. It is a duet!

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but this is a very interesting article about dance and its effect to the mind.

No wonder some great dancers often seem to be odd-behavior or socially awkward…there’s only a thin line between genius and insanity.

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Because that’s the only suitable way.

From maestro Jorge Dispari. If you are interested in, watch the clip. My Spanish is very limited, so I could only quote the subtitle.

It is not very often for us to hear such an honest talk. A lot of teachers try to sell you the glamorous side of tango; try to make you someone who you are not, a star, a performance dancer, an “artist”. Otherwise, they are afraid that they would not be commercially successful. And a lot of student are drew to tango, because it is sexy, it is fashionable… they want to learn the form, without the trouble of understanding its culture, its essence. Like in martial arts, however, one doesn’t go too far learning just the form. Any art without soul isn’t good art. Anybody can teach how to move, very few can tell why.

Here is a performance by them, dance (or should I say walk) to D’Arienzo. No sacada, no boleo, no volgada, not even a giro. Simply walk…

PS. Have a wonderful holiday, fellow tanguero(a)s!!!

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